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She was one of several young, obscure actresses handpicked by Kim for leading roles and quickly forgotten afterwards.īut Kim's works enjoyed huge acclaim at European film festivals where he scooped several awards, starting with the Silver Bear for best director at the 2004 Berlinale for "Samaritan Girl" - a drama about teenage prostitutes.
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Kim's mostly low-budget movies rarely achieved commercial success, but he began to gain global recognition after "Birdcage Inn" - a 1998 drama about two women who bond through prostitution - was screened at the Berlinale.Ĭontroversy over his films also grew: Seo Won, a budding actress who played an ill-fated student-turned-prostitute raped repeatedly in his 2002 drama "Bad Guy", described the acting experience as "a nightmare" that left her "traumatised", and soon quit the profession. His movies - many featuring gruesome violence against both males and females, and rapes of women - divided audiences, with some accusing him of misogyny and others hailing his cinematography and unflinching portrayal of a social underclass rarely seen in other films. It set the signature theme of many of Kim's later works: tales of male social outcasts exploring the meaning of life through the abusive bonds they form with women - many of them prostitutes - battered by tragic circumstances. Kim grew up in a poor family with a violent, Korean War-veteran father, left school at the age of 14 and worked odd factory jobs for years, leaving him with what he described as a "deep sense of inferiority".Īfter completing his mandatory two-year military service - serving in the Marine Corps - he moved to France to immerse himself in movies.īack in South Korea, he directed his first feature in 1996, the low-budget "Crocodile" about a homeless thug who forms a twisted bond with a woman traumatised by gang rape, and then rapes her again himself.
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The controversy around the eccentric filmmaker - who died of Covid-19 in Latvia on Friday at the age of 59 - raises questions on how to view the cinematic assaults on women that are a hallmark of his films, and the line between fiction and reality. Prize-winning South Korean film director Kim Ki-duk won global fame with his bold portrayal of extreme violence and human brutality in allegory-rich movies, but was also accused of abusing his actresses.